Photography & ...

Herbert Ritts

AniM — Mon, 12 Apr 2010 12:23:40 GMT

Herbert Ritts (August 13, 1952 – December 26, 2002) was an American fashion photographer who concentrated on black-and-white photography and portraits in the style of classical Greek sculpture. Consequently some of his more famous pieces are of male and female nudes in what can be called glamour photography. Ritts born in Los Angeles. He began his career working in the family furniture business. His father, Herb Ritts Sr., was a businessman, while his mother, Shirley Ritts, was an interior designer. He moved to the East Coast to attend Bard College in New York, where he majored in economics and art history. Later, while living in Los Angeles, he became interested in photography when he and friend, then an aspiring actor decided to shoot some photographs in front of an old jacked up Buick. Herb Ritts began his photographic career in the late 70's and gained a reputation as a master of art and commercial photography. In addition to producing portraits and editorial fashion for Vogue, Vanity Fair, Interview and Rolling Stone, Ritts also created successful advertising campaigns for Calvin Klein, Chanel, Donna Karan, Gap, Gianfranco Ferré, Gianni Versace, Giorgio Armani, Levi's, Pirelli, Polo Ralph Lauren, Valentino among others. Since 1988 he directed numerous influential and award winning music videos and commercials. His fine art photography has been the subject of exhibitions worldwide, with works residing in many significant public and private collections. He died in 2002 at the age of 50 from complications caused by AIDS.

Henry Cartier-Bresson

AniM — Wed, 24 Mar 2010 17:55:06 GMT

Henri Cartier-Bresson (August 22, 1908 – August 3, 2004) one of the greatest photographers of his time was a French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format and the master of candid photography. He helped develop the "street photography" or "real life reportage" style that has influenced generations of photographers that followed.

His pictures and picture essays have been published in most of the world’s major magazines during three decades, and Cartier-Bresson prints have hung in the leading art museums of the United States and Europe (his monumental ‘The Decisive Moment’ show being the first photographic exhibit ever to be displayed in the halls of the Louvre). In the practical world of picture marketing, Cartier-Bresson left his imprint as well: he was one of the founders and a former president of Magnum, a cooperative picture agency of New York and Paris.

Henri Cartier-Bresson was born in 1908, in Chanteloupe, France, of prosperous middle-class parents. He owned a Box Brownie as a boy, using it for taking holiday snapshots, and later experimented with a 3 X 4 view camera. But he was also interested in painting and studied for two years in a Paris studio. This early training in art helped develop the subtle and sensitive eye for composition, which was one of his greatest assets as a photographer.

In 1931, at the age of 22, Cartier-Bresson spent a year as a hunter in the West African bush. Catching a case of backwater fever, he returned to France to convalesce. It was at this time, in Marseille, that he first truly discovered photography. He obtained a Leica and began snapping a few pictures with it. It was a pivotal experience. A new world, a new kind of seeing, spontaneous and unpredictable, opened up to him through the narrow rectangle of the 35 mm viewfinder. His imagination caught fire. He recalls how he excitedly "prowled the streets all day, feeling very strung-up and ready to pounce, determined to ‘trap’ life, to preserve life in the act of living. "Resuming his interrupted career as a photojournalist, he helped form the Magnum picture agency in 1947. Assignments for major magazines would take him on global travels, across Europe and the United States, to India, Russia and China. Many books of Cartier-Bresson photographs were published in the 50’s and 60’s, the most famous being ‘The Decisive Moment’ (1952). A major milestone in his career was a massive, 400-print retrospective exhibition, which toured the United States in 1960.

"In photography, the smallest thing can be a great subject," he wrote in ‘The Decisive Moment’. "The little human detail can become a leitmotif." Most of his photography is a collection of such little, human details; concerned images with universal meaning and suggestion. He lived in a haunted world where mundane facts, a reflection in a mud-puddle, an image chalked on a wall, the slant of a black-robed figure against mist, radiate significance at once familiar and only half-consciously grasped. His was an anti-romantic poetry of vision, which finds beauty in "things as they are," in the reality of here and now.

Cartier-Bresson died in Céreste (Alpes-de-Haute-Provence, France) on August 3, 2004 at the age of 95.

Ara Guler - Armenian Turkish Photographer

AniM — Wed, 24 Mar 2010 17:12:01 GMT

Turkish Armenian photographer Ara Güler was born in Istanbul in 1928. His father owned a pharmacy and had a wide circle of friends from the art world of the period. Ara Güler's early contact with this world motivated him to embark on a career in cinema. Already during his high school years, he jobbed in movie studios and attended drama courses. However, he abandoned cinema in favor of journalism, joining the staff of the newspaper Yeni Istanbul as photojournalist in 1950 and studying Economics at the University of Istanbul at the same time. He then transferred to another newspaper, Hürriyet.In 1958, the American magazine company Time Life opened a branch in Turkey, and Güler became its first correspondent for the Near Wasr. In 1961, he was employed by the Turkish magazine Hayat as head of the photographic department.It was around this period that he met Henri Cartier-Bresson and Marc Riboud, who both encouraged him to join the Magnum Photos agency, which he did. He was presented in the British Photography Yearbook, published in the United Kingdom in 1968, named Güler one of the seven best photographers in the world. In 1962, he received the "Master of Leica” award in Germany.. In 1961, he was accepted as the only Turkish member to the ASMP (today American Society for Media Photographers). The Swiss magazine Camera honored him with a special issue. In the 1960s, Ara Güler's photographs illustrated books by notable authors and were put on display at various exhibitions throughout the world, in New York, in Germany, in Switzerland.

Portrait of Churchill by Karsh

AniM — Sat, 20 Mar 2010 18:11:23 GMT

The image of Churchill brought Karsh international prominence, and is claimed to be the most reproduced photographic portrait in history

Karsh created his famous portrait of Churchill during the early years of World War II in 1941. Churchill, the British prime minister, had just addressed the Canadian Parliament and Karsh was there to record one of the century's great leaders. "He was in no mood for portraiture and two minutes were all that he would allow me as he passed from the House of Commons chamber to an anteroom," Karsh wrote in Faces of Our Time. "Two niggardly minutes in which I must try to put on film a man who had already written or inspired a library of books, baffled all his biographers, filled the world with his fame, and me, on this occasion, with dread."

Churchill marched into the room scowling, "regarding my camera as he might regard the German enemy." His expression suited Karsh perfectly, but the cigar stuck between his teeth seemed incompatible with such a solemn and formal occasion. "Instinctively, I removed the cigar. At this the Churchillian scowl deepened, the head was thrust forward belligerently, and the hand placed on the hip in an attitude of anger."

The image captured Churchill and the Britain of the time perfectly — defiant and unconquerable. Churchill later said to him, "You can even make a roaring lion stand still to be photographed." As such, Karsh titled the photograph, The Roaring Lion.

However, Karsh's favourite photograph was the one taken immediately after this one where Churchill's mood had lightened considerably and is shown much in the same pose, but smiling.

Yousuf Karsh - Armenian-Kanadian photographer

AniM — Sat, 20 Mar 2010 17:11:30 GMT

Yousuf or Josuf (his given Armenian name was Hovsep) Karsh was born in Mardin, a city in the eastern Ottoman Empire (present Turkey). He grew up during the Armenian Genocide where he wrote, "I saw relatives massacred; my sister died of starvation as we were driven from village to village. At the age of 14, he fled with his family to Syria to escape persecution. Two years later, his parents sent Yousuf to live with his uncle George Nakash, a photographer in Sherbrooke Quebec, Canada. Karsh briefly attended school there and assisted in his uncle’s studio. Nakash saw great potential in his nephew and in 1928 arranged for Karsh to apprentice with portrait photographer John Garo in Boston, Massachusetts, United States. His brother, Malak Karsh, was also a photographer famous for the image of logs floating down the river on the Canadian one dollar bill.

Karsh returned to Canada four years later, eager to make his mark. He established a studio in the Chateau Laurier Hotel in Ottawa, Ontario, close to Canada’s seat of government. Canadian Prime Minister Mackenzie King discovered Karsh and arranged introductions with visiting dignitaries for portrait sittings. Karsh's work attracted the attention of varied celebrities, but his place in history was sealed on 30 December, 1941 when he photographed Winston Churchill, after Churchill gave a speech to Canadian House of Commons in Ottawa.

The image of Churchill brought Karsh international prominence, and is claimed to be the most reproduced photographic portrait in history. In 1967, he was made an Officer of the Order of Canada and in 1990 was promoted to Companion.

Of the 100 most notable people of the century, named by the International Who's Who [2000], Karsh had photographed 51. Karsh was also the only Canadian to make the list.

In the late 1990s Karsh moved to Boston and on July 13, 2002, aged 93, he died at Boston's Brigham and Women's Hospital after complications following surgery. He was interred in Notre Dame Cemeteryin Ottawa.